This Linhof is better than the original Fuji GX-617 because 1.) the Fuji only focuses as close as 10 feet, 2.) I prefer the view of the Linhof's 90mm lens to the 105mm of the Fuji, although this is minor, and 3.) as I recall the Fuji may or may not have had some bizarre issue with making 1 second long exposures. Follow all the safety instructions and warnings, and be guided by the given recommendations.

Before starting your appliance, the user manual should be read through carefully. The view camera solution costs a lot less and offers far more flexibility, like tilts and swings for better sharpness and lack of distortion. User manual for the Linhof Technorama 612 PC II Medium contain basic instructions that need to be followed during installation and operation. The modern dedicated 617 cameras require a ridiculous amount of separate lenses and bodies which are just as much of a pain as simply getting the Canham 617 back and a 5 x 7' view camera. The disadvantage of using 220 film is that many times the end of the film winds off the spool and makes a mess which can mess up the last frame or two while you try to get it out of the camera. Or (Apo)-Symmar (S) 5.6 / 150 mm – no modification requiredĠ00778 Apo-Symmar L 5.I personally want to shoot 220 in this, since it's ridiculous to go through the whole film loading song and dance after every fourth frame with 120. The following customer-owned lenses can be installed in the corresponding Technorama tube: Installation – customer-owned standard lenses in Technorama 612 tube (incl. Matching viewfinders are still available. However, customer-owned lenses can be installed in the corresponding tube. Production of the T612 lenses was discontinued years ago. The superbly finished all-metal construction of the camera body in Linhof precision quality guarantees high-end photography even in off-road areas. The ultimate tool for a user who specialises in architectural, interior, industrial, travel and technically scenic photo-graphy.

The built-in 8 mm rise of the lens avoids converging lines. The dynamic 2 : 1 aspect ratio permits 6 exposures on rollfilm 120 or 12 frames on 220 in vertical or horizontal orientation of the film plane. Panorama camera including perspective control, format 6×12 on roll filmĪ camera with no limits: Professional format 6×12 cm on rollfilm including perspective control hand-held.

Linhof technorama 612 pc manual